The mantra “form follows function” may have molded the concept of modernist design, but the idea is an ancient one. Our ancestors, too, fashioned simple structures responding to local climates and materials—like the iconic finca farmhouses of Ibiza. Built for the windswept Mediterranean island’s dry landscape using regional stone, clay and timber, these humble domiciles echo present-day sensibilities with their flat roofs, modular massing and whitewashed walls.
This architectural expression proved perfect for one couple dreaming of building a contemporary-leaning abode in North Scottsdale. Their neighborhood’s strict guidelines, however, limited homes to traditional Mediterranean styles. The solution clicked into place when their builder, Eric Linthicum, found Ibizan residential designer Rolf Blakstad, famed for his historically rooted modernism distilling the finca’s traditional hallmarks. “It’s this modern take on a Mediterranean form that our desert environment would accept in a genuine way,” Linthicum notes. Blakstad embraced the challenge, working closely with interior designer David Michael Miller to translate ideas of Ibizan warm-weather living to the Sonoran Desert. “It was fun exploring the origins of this architectural style through a contemporary lens,” Miller says.
Home Details
Architecture
Rolf Blakstad, Blakstad Ibiza Design Consultants
Interior Design
David Michael Miller, David Michael Miller Associates
Home Builder
Eric Linthicum, Linthicum Custom Builders
Landscape Architecture
Clayton Miller, Greey|Pickett
The home’s single-story design maintains a reserved profile, unfolding in a “series of cubes that reflect a building naturally growing to accommodate a family’s needs,” Blakstad describes. The structure nestles into the surrounding hillside, buttressed by 6-foot stacked walls built from stone excavated on-site. Instead of Ibiza’s limewashed façades, however, the plaster exterior became a “warmer beige color that felt more appropriate for our desert,” Linthicum adds. Working drawings by architect Vivian Ayala, formerly of Candelaria Design Associates, further tweaked the design where needed to fit the neighborhood’s requirements, like the obligatory tile roof carefully pitched low to retain the style’s modular lines.
Inside, the couple’s daily living concentrates around a central great room framed by Blakstad’s signature bevel-edged columns. From there, the layout expands to other entertaining areas, including a detached guest casita. Alfresco moments in between include a pergola by the infinity-edged pool lined with olive trees, a dining courtyard with a reclaimed European limestone fountain, and the couple’s private en suite spa patio complete with plunge pool. Landscape architect Clayton Miller filled these intervals with cacti, native grasses and desert perennials nestled amid rock beds of local DC Ranch stone, which “reinforced that feeling of the surrounding mountainside,” he explains.
“It’s this modern take on a Mediterranean form that our desert environment would accept in a genuine way.”
–Eric Linthicum
Perched atop a Marc Phillips rug, Jasper lounge chairs and a Formations sofa make the family room ideal for lounging. An Andrianna Shamaris teak bowl adorns the custom coffee tables. The adjacent TV lift, crafted by Allaire, Inc., conceals the television when not in use.
Miller, in turn, favored finishes that would amplify the home’s natural milieu, reinterpreting Blakstad’s refined use of Ibizan materials “in a more desert context, which worked beautifully,” he observes. The authentic three-coat plaster walls, on the other hand, needed no translation, hand-troweled velvet smooth for a “subtle movement and depth that you can’t get from paint.” For Blakstad’s geometric ceiling beams inspired by Ibiza’s exposed timber supports, Miller chose thick Douglas fir bleached and stained taupe blond. “We didn’t want anything too serious and dark, because we needed this soft, mellow transition from room to room,” he explains. European white oak infuses similar sunbaked shades into the millwork and portions of the floor.
Other areas feature more contemporary white concrete flooring, hand-polished to reveal delicate cumulus patterns that complement the textural craftsmanship of the home’s Old World-style materials. Meanwhile, the team “deliberately made the kitchen a purely modern element amid this softer architectural environment,” Miller explains, pointing to the seamless oak cabinetry and steel vent hood suspended from the skylight above.
The designer fleshed out the interior by swathing everything in desert shades of cream, ochre and goldenrod. Furnishings have clean, simple lines but embrace unpolished tactility by highlighting rich wood tones along with linen, cotton and wool upholstery. “A house like this just thirsted for natural fibers,” Miller notes. Area rugs follow suit, with both vintage and modern pieces featuring subtle geometric patterns that recall traditional Moroccan weaves. An eclectic mix of curios from around the world—like Indonesian bamboo fishing baskets, 18 th -century French terra-cotta olive oil jugs and antique Spanish limestone planters—adds layers of handmade history.
The successful translation from centuries-old Mediterranean style to contemporary Arizona design is proof positive that simple, landscape-centric architecture is eternal. “I think we’ve come full circle,” Blakstad muses. “We’re becoming aware that we can use this shared ancestral knowledge of home and adapt it for modern living.”
Made for luxuriating, the primary bathroom is centered around a Hoesch freestanding tub and marble-columned shower that opens to a private courtyard. A Holland & Sherry wool rug and Kevin Walz for Ralph Pucci daybed create an inviting lounge area.