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Explore A Brutalist Beauty In The Texas Hill Country

modern dining room with a green lacquered table under a paper lantern light fixture

Designed by a friend and custom-made in Honduras, the dining table in this Johnson City residence received a coat of dark green lacquer to better fit the home’s modern aesthetic. A custom paper lantern by William Leslie suspends above Nuevo chairs.

Photo: Casey Dunn

The first time architect Patrick Taylor Winn visited his clients’ property in Johnson City, he was struck by its elemental beauty. Spanning hundreds of acres of central Texas shrubland, the parcel encompasses the owners’ cattle ranch and a lengthy stretch of the Pedernales River. Hearty grasses, craggy boulders and scrubby bushes layer the terrain in a riot of tones that evolve with each season. For the couple, the acreage held a cache of memories because they used to take their children to the property for camping and cookouts. With their kids now grown with families of their own, the pair was ready to build the ultimate haven for their retirement.

Home Details

Architecture and Home Builder:

Patrick Taylor Winn, Total Art Design & Architecture

Interior Design:

Sara Oswalt, Purveyor Design

According to Winn, living on the river was a lifelong wish for the husband. For the wife, a modern, concrete, glass-and-steel house had always been on her bucket list. Combining the two wishes, the architect designed a riverfront residence with a straightforward plan: two bedrooms (one on either end of the east-west axis) with an open-plan kitchen, living and dining area in between. An upstairs loft is the wife’s office, and two elevated outbuildings, accessed via a custom steel bridge, contain a workout room and a party pavilion complete with a bar and hot tub. “It’s quite a simple layout,” Winn says. “The design is intended to facilitate fun for the family within this clean, modern aesthetic.”

To bring additional personality to the home, interior designer Sara Oswalt led the plan for art, furnishings and finishes. She had worked with the clients before, on an apartment in downtown Austin, so she was familiar with their style and the way they wanted to live. “The wife doesn’t want anything that takes too much care,” Oswalt describes. “She’s very utilitarian; she wants it to be practical.”

The minimalist, industrial materials—steel frame, slick-form concrete walls and floor—are softened by the blond fir ceiling, which brings a sense of warmth to the interiors. Furnishings were kept simple, focusing on functionality: places to sit, sleep and eat. Certain items—a large dining table crafted by a woodworker in Argentina, an heirloom entryway painting, the lamps in the office—were brought over from previous homes and updated with fresh coats of paint. “The wife would take me to their storage space, and we would brainstorm ideas of how to reuse pieces,” the designer recalls. For instance, granite counters from their old residence became the tops of four bedside tables.

elevated outbuildings on a Texas property surrounded by natural landscaping
Photo: Casey Dunn

Elevated outbuildings, accessed by a steel bridge, provide an escape from the main house. In the foreground is a party pavilion with a bar, sauna and hot tub. The second structure is a meditation and workout room.

concrete landscaping in front of a Brutalist home in Texas
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In the parking court, architect Patrick Taylor Winn used poured-in-place cement sections separated by stone-filled channels. The house’s concrete, steel and glass construction echoes the rugged landscape beyond.

Photo: Casey Dunn
dramatic entry of a Brutalist home with a tall steel pivot door and red armchairs
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The main entryway makes a dramatic statement with its 6-foot-by-13-foot solid steel pivot door. Concrete flooring is balanced by a Douglas fir ceiling, and two Tearoom lounge chairs from Audo Copenhagen are upholstered in a red Opuzen velvet.

Photo: Casey Dunn
industrial living room with a concrete-framed fireplace, floor-to-ceiling windows and pops of color
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Custom windows and a bespoke fireplace frame a Molteni&C modular sofa wearing a Filippo Uecher yellow wool in the living room. A painting by Alexandra Valenti introduces another layer of character, and a floor covering from Loloi Rugs runs underfoot.

Photo: Casey Dunn
modern kitchen with white oak cabinetry, vintage stools and leathered quartzite countertops
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Built by Alpha Woodworks LLC, the custom kitchen cabinetry combines white oak push-front doors with black-stained oak borders, complemented by Taj Mahal leathered quartzite countertops. Above the island and vintage Arthur Umanoff counter stools hang a pair of Lambert & Fils pendants.

Photo: Casey Dunn
modern dining room with a green lacquered table under a paper lantern light fixture
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Designed by a friend and custom-made in Honduras, the dining table in this Johnson City residence received a coat of dark green lacquer to better fit the home’s modern aesthetic. A custom paper lantern by William Leslie suspends above Nuevo chairs.

Photo: Casey Dunn
entry vestibule with geometric tile flooring and a red and yellow mural on the walls and door
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An entry vestibule bursts with color, featuring a mural created by designer Sara Oswalt and painted by Matthew Winters. Patterned concrete flooring from Zia Tile adds dimension.

Photo: Casey Dunn
a cozy guest room vignette seen from the hallway of a Brutalist home
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In the guest room, a reupholstered vintage Vladimir Kagan armchair and ottoman offer a cozy corner to take in views of the property. Custom drapes are sewn from a mustard-colored Fabricut material.

Photo: Casey Dunn
stairway treads wrapped in leather
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As a nod to the owner’s longtime work in the cattle industry, Winn wrapped the stairway treads in leather. Nearby, Oswalt placed a vintage milking stool from Canvas Showroom. Noguchi pendants lend organic softness to the angular space.

Photo: Casey Dunn
industrial bedroom with a mix of vintage and modernist furnishings
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The primary bedroom blends antique pieces with modernist sensibilities. Vintage Italian chairs are updated in Schumacher fabric, tempering the rolled-steel wall behind the Lulu and Georgia bed. The scone and lamp are Le Klint.

Photo: Casey Dunn
back exterior of a Brutalist home in Texas with a pool and various modern seating options
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Wanting the landscape to be at center stage, the design team emphasized a minimal palette. A seating area near the pool includes an RH coffee table, Faye Toogood Roly Poly chairs and side chairs from Blu Dot.

Photo: Casey Dunn
elevated outbuildings on a Texas property surrounded by natural landscaping
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Elevated outbuildings, accessed by a steel bridge, provide an escape from the main house. In the foreground is a party pavilion with a bar, sauna and hot tub. The second structure is a meditation and workout room.

Photo: Casey Dunn

In choosing the palette, Oswalt was mindful of the surrounding landscape, highly visible through sweeping windows in nearly every room. The eye-catching, primary colors the clients were drawn to ended up working well. “The landscape provides a softness to the modern scheme because you see it in the background all the time,” Oswalt observes. “It enabled us to do some bold things but without them feeling too harsh.”

The living room is the strongest example of this, with a two-sided sofa in a rich yellow and chairs upholstered in cherry-red velvet. The designer also painted the frame of a vintage oil artwork in an electric blue to add a punch of color and make it feel contemporary. The kitchen and dining area are more muted: The former features the custom Argentinean table, repainted in a deep emerald green, while the latter is done up in white oak, blackened oak and soapstone.

In the primary bedroom, the wall behind the bed is made of rolled steel, so to edge out the harshness, Oswalt implemented soft fabrics, such as wool on the bed and velvet for the rug. “The client had these vintage armchairs she wanted to use,” the designer shares, “and we reupholstered them in a geometric fabric to make them modern.”

Additional swaths of color—a yellow epoxy floor in the upstairs office, mustard-colored curtains in the guest suite—take cues from the late architect Luis Barragán’s Mexico City house, where color blocking makes a significant impact. “We wanted to use it in a big way, so it is very intentional,” Oswalt notes.

The couple still gather with their children on the property, congregating on the patio or around the expansive dining table with views of the sprawling outdoors through floor-to-ceiling glass. It’s come a long way since open-air campfires, but on this ranch, connecting with family and friends will always be at the heart of the home.

Enjoyed the article?
industrial living room with a concrete-framed fireplace, floor-to-ceiling windows and pops of color
Photo: Casey Dunn

Custom windows and a bespoke fireplace frame a Molteni&C modular sofa wearing a Filippo Uecher yellow wool in the living room. A painting by Alexandra Valenti introduces another layer of character, and a floor covering from Loloi Rugs runs underfoot.

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